Sex! Violence! Politics! (The Late Sixties)
In the 1960s, a number of factors converged to produce changes in what were acceptable subjects for filmmaking. In America, the studio system was in sharp decline, and the self-censorship rules known as the “Hays code” were abandoned. There were “new wave” movements in England and France as well as the U.S. Independent films made with smaller budgets and crews were finding larger audiences. These kinds of movies covered topics rejected by the more risk-averse studios. Continue reading